It’s all the rage in New York City right now. People everywhere are hunting for the impossible ticket. They are crowdsourcing on social media, begging, pleading and PAYING (big bucks) to score the hottest ticket in town.
Let me give you some stats to show you exactly how hot we are talking. The show is selling $1.5 million in tickets….WEEKLY. “According to financial statements obtained by the Hollywood Reporter,the show grossed $61.7 million at the box office from its Broadway previews in July through early April, and may have already recouped its capital cost for investors. (By comparison, it took “Wicked” 14 months to recoup, and “The Book of Mormon,” the phenom most often compared to “Hamilton,” eight months.)”
After the show broke the record for receiving the most Tony nominations, ticket prices went bananas. I’m talking as much as what someone might be paying for their mortgage, bananas. Two tickets on StubHub for $666 each in the rear mezzanine side, typically the cheapest seats in the house. Prime center orchestra seats for $3,334. The lowest-priced solo ticket was $1,295 for a side orchestra seat.
It’s basically easier to get into an Ivy League school right now, than it is to get a Hamilton ticket and if you CAN get one, you may just have to refinance your house to pay for it.
So why is everyone flocking to the show AND paying the big bucks?
The music? Yes.
The singing/dancing/acting? Yes.
The Tony nods? Yes.
The exclusivity of being able to actually say you went? Yes.
THE EXPERIENCE? YES
All. The. Yes.
And this is all happening because of the show’s creator Lin-Manuel Miranda. He’s a creative genius, not just for the show itself, but the movement he has created around it. He has differentiated his show from all the others, it is a unique experience, in fact it is a movement! It’s that movement that creates the sense of urgency for people to get their hands on the tickets. He didn’t just make a Broadway show, he built a differentiated experience. And one that has people everywhere filled with desperation to be a part of it.
People stalk social media to see the latest celebrities posting pictures and status updates about attending Hamilton. Hashtags like #Ham4Ham were created for the elusive lottery tickets many try to snag. There are even SoulCycle classes that use Hamilton music. The audience demographic is also vast and diverse pretty much running the gamut from age 8 to 80. A Hamilton ticket has become a status symbol.
A recent article from FastCompany said, “Miranda has cultivated—and maintained—a level of devotion among his followers that branding agencies only dream of. He insists that there is no gimmick to it, just a raw desire to connect to other rap, theater, and history nerds. “I hate the word branding,” he says. “I don’t feel like an entrepreneur. I feel like a writer who is forced to wear an entrepreneurial hat occasionally.”
He engages with Hamilton fanatics on every level. He’s built a community. Creating these amazing participatory moments where they feel part of the Hamilton phenomenon. Even those who have never set foot in the theater!
The same FastCompany article said, “But Miranda’s closest—and most important—relationship is with the hundreds of thousands of fans who have likely never seen the show. Ticket scarcity has motivated him to create an entire world around it, so that people, and especially young people, can feel like a part of the movement even if they can’t get into the theater.”
The entire world of Hamilton is essentially one of the best modern examples of creating a differentiated customer experience. It’s something that everyone wants in on and it’s born from Miranda’s passion. Sure, he created a powerful movement based around a show, but the level of engagement he has with his fans, and that they have with each other, is unheard of.
Ladies and gentlemen, THIS is how you master a differentiated customer experience and turn it into something with major impact. Miranda has literally changed the game and shown how creating a differentiated experience can build emotional connections, devotion and an unstoppable movement. I love everything about Miranda’s story and how it validates the power of customer experience.
P.S. Anyone have an extra ticket?